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HR 4130 117th Congress House Commerce Art, artists, authorship Broadcasting, cable, digital technologies Intellectual property Licensing and registrations Music Small business Sound recording Telecommunication rates and fees

American Music Fairness Act of 2022

Introduced: June 24, 2021 See on congress.gov
 Everywhere this bill has been 7 steps
Introduced
In committee
Reported out
Passed House
Passed Senate
To President
Became law
Dec 30, 2022
Placed on the Union Calendar, Calendar No. 509.
Dec 30, 2022
Reported (Amended) by the Committee on Judiciary. H. Rept. 117-693.
Dec 7, 2022
Ordered to be Reported (Amended) by Voice Vote.
Dec 7, 2022
Committee Consideration and Mark-up Session Held.
Nov 16, 2022
ASSUMING FIRST SPONSORSHIP - Mr. Nadler asked unanimous consent that he may hereafter be considered as the first sponsor of H.R. 4130, a bill originally introduced by Representative Deutch, for the purpose of adding cosponsors and requesting reprintings pursuant to clause 7 of rule XII. Agreed to without objection.
Jun 24, 2021
Referred to the House Committee on the Judiciary.
Jun 24, 2021
Introduced in House
 Plain-English summary Congressional Research Service

American Music Fairness Act of 2022

This bill establishes that the copyright holder of a sound recording shall have the exclusive right to perform the sound recording through an audio transmission and addresses other related issues. (Currently, the public performance right only covers performances through a digital audio transmission in certain instances, which means that nonsubscription terrestrial radio stations generally do not have to secure a license to publicly perform a copyright-protected sound recording.)

Under the bill, a nonsubscription broadcast transmission must have a license to publicly perform such sound recordings. The Copyright Royalty Board must periodically determine the royalty rates for such a license. When determining the rates, the board must base its decision on certain information presented by the parties, including the radio stations' effect on other streams of revenue related to the sound recordings.

Terrestrial broadcast stations (and the owners of such stations) that fall below certain revenue thresholds may pay certain flat fees, instead of the board-established rate, for a license to publicly perform copyright-protected sound recordings.

What's happening now December 30, 2022

Placed on the Union Calendar, Calendar No. 509.

 Committees of jurisdiction 1